Unfortunately, in the second half of the 70s, the success went away the concept of the show-events is no longer in the air. Zizi Jeanmaire, leave an unforgettable memory to the Casino de Paris from 1970 to 1972 in “La Revue” and in “Zizi je t’aime”. After two years of success in Las Vegas, she returned to the Casino in 1965 in “Plaisirs de Paris” and then in 1973 in “Paris-Line.” In 1959, Line Renaud, become a big star, opens her show-musical “Plaisirs de Paris”, there are over 100 people on stage. In 1934, it was Tino Rossi staring in the Casino, with his velvet voice and his Rudolf Valentino profile that will make noise for months. Josephine will create “J’ai deux amours” then again in 1932 with “La Joie de Paris”.

This is the show-musical “Paris qui remue ” which coincides with the Colonial Exhibition. In 1930, the Casino de Paris has become an institution of the Parisian show and seeks to create the event by engaging Josephine Baker. Mistinguett remains the undisputed queen of the Casino until 1925. The 1918 bombings interrupt the performances, but a new show is mounted as soon as possible with Mistinguett, which brings her protégé, some … Maurice Chevalier.

The star is wearing rhinestones and jewels. Then it was the first jazz band in France to play on stage. In 1917 it was the first show-musical “Moderne” with Gaby Desly and Harry Pilcer. The place was then transformed in 1914 into a theater Music Hall and will adopt the formula that will make it a legend of the Parisian music hall. The vocation of the place was getting more and more accurate … The entrance is made in a very nice setting and enables you to follow the attractions on the podium. In 1880, on a portion of the rink is built the Palace Theater. Various entertainments are proposed including a skating rink.

In 1851, a huge hall is built on the site. It is then replaced by the Tivoli, a vast amusement park. Frequented then more democratically, the “Folie Richelieu” became a place for shows until 1811. From 1730 a site is designed for the Duke of Richelieu’s distractions.

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